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Treasury
of Classic Polish Love Short Stories in Polish and English, translated and edited
by Mirosław Lipinski (1997), 110 pages.
A short story is a difficult form. The content and the style indicate whether the result has any literary merit. One could compare it to a sketch by a painter. With a keen eye we can discern whether the sketch offers evidence of talent or not. On the other hand, the work may not justly represent the artist. Such is the case here.
Henryk Sienkiewicz (1846-1916) and Zofia Nałkowska
(1884-1954) are well-known. The first offers us the poignant story of a
lonely sculptor widowed for twenty years; the second tells about a
kitten-like, insecure woman who was meant to get married rather than
plunge into an affair with a painter. This is a well-written satire. T.
Rittner’s (1873--1921) Amsterdam episode is hardly worth remembering.
Karol Irzykowski (1873-1944) was primarily a literary critic; his short
tale involves a somewhat surprising adventure involving a student
climbing through the window to be near the object of admiration.
Stanisław Dygat (1914-1978) recalls his first dance when his beloved
inquires whether he likes poetry in general (oh, yes!) and what he thinks
of the poem by Tuwim which begins (in Polish) with these hilarious words:
Na stacji
Chandra Unyńska Gdzieœ w
mordobijskim powiecie Telegrafista
Piotr Płaksin Nie umiat
grać na klarnecie...
In this instance, the humor is largely lost in
translation:
At the
Chandra Unynski station Somewhere
in a head-bashing district The
telegraph operator Peter Wimperer Did not know how to play the clarine
Alas, before the boy has a chance to explore the
promising relationship, an enterprising classmate snatches the girl away.
Lastly, there is a short soliloquy by Halina Poświatowska
(1935-1967), a talented lyricist, written before her untimely death.
George E.
Suboczewski
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